Reference
Check out a 271 year old Dutch color sample book:
Article
Actual Book
Thank you, Pam, my most prolific contibutor
Exhibit
Anders Zorn at the Legion of Honor
Sweden's Master Painter
November 9, 2013 – February 2, 2014
Vocabulary Lesson Appended
If you have incorporated "heather" into your vocabulary, you may want to expand your usage.
root word = heather, verb, heath·er \ˈhe-thər\ : an act of re-purposing a watercolor substrate by washing away all but a ghost of the hard work your put into it.
"I heathered an old painting that was just soooooooooooooooo awful and then painted this lovely thing on top of it."
addendum = half-heather, verb, \ haf-heath·er \ hahf-he-thər \ : a partial act of heathering, usually accompanied by a sound of either distress or pleasure, made by the artist.
"I started to heather a painting that had gone
terribly wrong, and realized that some of it was salvageable, so I
yanked it out of the water and desperately attempted to stop the removal
of all that paint."
addendum redux = heather-resistant, adj, \ heath·er-re·sis·tant \ he-thər-re·sis·tənt \ : an attempt at heathering that is stymied by the materials at hand or the watercolor gremlins.
"I tried to eradicate the muddy mess I had created by turning the high-pressure hose on it, but, alas, it was heather-resistant to my intention."
Dec 19
Query / Answer
What is your favorite black mix?
Great question! I look first at what colors I'm already using in a painting. If I can, I try to use colors already in my palette. The first black I remember Kay teaching was Winsor red and Winsor green. It's especially good if you want a thick rich dark that maybe has a hint of red or green. But I tried it once on a painting where my shadows were kind of purple and it was awful. I had to scrub it all out. I also really like indigo plus sepia. And ultramarine plus Indian red, though not quite black, can be amazing. And, surprising to me, indigo plus burnt sienna seems to go pretty black. I hate to think of all the combinations I'm forgetting about.
Mary B.
2016 Schedules
Updated: http://watercolor-sf.blogspot.com/p/schedules.html
Quote of the Week
"I can always be distracted by love, but eventually I get horny for my creativity." -Gilda Radner
What is your favorite black mix?
Great question! I look first at what colors I'm already using in a painting. If I can, I try to use colors already in my palette. The first black I remember Kay teaching was Winsor red and Winsor green. It's especially good if you want a thick rich dark that maybe has a hint of red or green. But I tried it once on a painting where my shadows were kind of purple and it was awful. I had to scrub it all out. I also really like indigo plus sepia. And ultramarine plus Indian red, though not quite black, can be amazing. And, surprising to me, indigo plus burnt sienna seems to go pretty black. I hate to think of all the combinations I'm forgetting about.
Mary B.
2016 Schedules
Updated: http://watercolor-sf.blogspot.com/p/schedules.html
Quote of the Week
"I can always be distracted by love, but eventually I get horny for my creativity." -Gilda Radner
Dec 12
Quote of the week
“Everything is practice.” -Pelé
Exhibit - Carmel Adams
California Watercolor Assoc.
Printable version
Resource
Just found this website, haven't done a lot of exploring but it looks like a winner!
WikiArt.org
Query
What is your favorite black mix? When your are looking for black with attitude and want to mix your own, what pigments do you use? Click here to answer. (watercolor.sf@gmail.com)
Vocabulary Lesson Appended
If you have incorporated "heather" into your vocabulary, you may want to expand your usage.
root word = heather, verb, heath·er \ˈhe-thər\ : an act of re-purposing a watercolor substrate by washing away all but a ghost of the hard work your put into it.
"I heathered an old painting that was just soooooooooooooooo awful and then painted this lovely thing on top of it."
addendum = half-heather, verb, \ haf-heath·er \ hahf-he-thər \ : a partial act of heathering, usually accompanied by a sound of either distress or pleasure, made by the artist.
"I started to heather a painting that had gone terribly wrong, and realized that some of it was salvageable, so I yanked it out of the water and desperately attempted to stop the removal of all that paint."
“Everything is practice.” -Pelé
Exhibit - Carmel Adams
California Watercolor Assoc.
CWA's 46th National Exhibition is coming January 05 to the Academy of Art University, Cannery Galleries in San Francisco.
Resource
Just found this website, haven't done a lot of exploring but it looks like a winner!
WikiArt.org
Query
What is your favorite black mix? When your are looking for black with attitude and want to mix your own, what pigments do you use? Click here to answer. (watercolor.sf@gmail.com)
Vocabulary Lesson Appended
If you have incorporated "heather" into your vocabulary, you may want to expand your usage.
root word = heather, verb, heath·er \ˈhe-thər\ : an act of re-purposing a watercolor substrate by washing away all but a ghost of the hard work your put into it.
"I heathered an old painting that was just soooooooooooooooo awful and then painted this lovely thing on top of it."
addendum = half-heather, verb, \ haf-heath·er \ hahf-he-thər \ : a partial act of heathering, usually accompanied by a sound of either distress or pleasure, made by the artist.
"I started to heather a painting that had gone terribly wrong, and realized that some of it was salvageable, so I yanked it out of the water and desperately attempted to stop the removal of all that paint."
Dec 5
Warning: Nothing to do with Watercolor
This is for lovers of old musicals and Bruno Mars - Mash-up
Upcoming Event
Meet at 33 Gough for Joanie's show, on to Flax and DeLeccio's
Tuesday morning, Jan 12
Exhibition: Mimi and Not Kay
Reception: Dec 11, 5 - 8 pm
Show runs: Nov 20 to Dec 31
Thank you, Lee
This is for lovers of old musicals and Bruno Mars - Mash-up
Upcoming Event
Meet at 33 Gough for Joanie's show, on to Flax and DeLeccio's
Tuesday morning, Jan 12
Exhibition: Mimi and Not Kay
Reception: Dec 11, 5 - 8 pm
Show runs: Nov 20 to Dec 31
Thank you, Lee
Nov 28
Video about Andy Goldsworthy
I know, those of you that are his fans are thinking,"This has nothing to do with watercolor". But, watch and learn!
Andy Goldsworthy
Thank you, Mary
All About Whites
GUIDE TO WINSOR & NEWTON WHITES
Pristine and striking, various iterations of white are used by artists to create high contrast, serve as a base layer for other colors, or create clean, bright, and transparent effects in artwork. Our range of whites range from opaque to sheer, some ideal for mixing, others more suited for highlighting. With whites in all of our key ranges, you’re certain to find several suitable for different purposes in your practice. Below, we review some notable whites and their standout qualities to ensure you never draw a blank when searching for your white of choice.
ZINC WHITE
As the least opaque of Winsor & Newton Whites, Zinc White is best suited for tinting and glazing paintings. Based on Zinc pigments, it is also known as ‘Chinese White’ and has a particularly ‘clean’ finish, making it a prime choice for light highlighting as well.
TITANIUM WHITE
Clean and opaque, Titanium White is considered the strongest and most standout white. It is a popular choice among artists, both for the strength of its finish and ability to provide good coverage, thus lending itself well to base layers, or when a large surface area must be painted in white.
CHINESE WHITE
A variation of Zinc White, Chinese White is popular among artists for its ability to take the edge off of brighter colors. Winsor & Newton’s version of Chinese White was incredibly in demand upon its release, so much so that the entrance to the Rathbone Place flagship was reportedly blocked by carriages filled with clients eager to get their hands on the new paint. A subtle white, it is essential for painting white objects in addition to softening other colors.
WHITE INKS
The whites found in both our Calligraphy Ink and Drawing Ink ranges are lauded for their brilliance, particularly when used on dark paper. They can be applied to surfaces with a variety of tools, including brushes and dip pens, and are lovely for hand-lettering or adding a subtle sheen to work.
WHITE BLENDER
The Winsor & Newton Pigment Marker™ White Blender is the first-of-its-kind – a revolutionary tool for artists and illustrators who want to access a limitless palette. Specifically designed for the Pigment Marker range, the White Blender allows artists to soften, build, and blend colors with ease and can be used on black paper as well.
Thank you, Pam
I know, those of you that are his fans are thinking,"This has nothing to do with watercolor". But, watch and learn!
Andy Goldsworthy
Thank you, Mary
All About Whites
Pristine and striking, various iterations of white are used by artists to create high contrast, serve as a base layer for other colors, or create clean, bright, and transparent effects in artwork. Our range of whites range from opaque to sheer, some ideal for mixing, others more suited for highlighting. With whites in all of our key ranges, you’re certain to find several suitable for different purposes in your practice. Below, we review some notable whites and their standout qualities to ensure you never draw a blank when searching for your white of choice.
ZINC WHITE
As the least opaque of Winsor & Newton Whites, Zinc White is best suited for tinting and glazing paintings. Based on Zinc pigments, it is also known as ‘Chinese White’ and has a particularly ‘clean’ finish, making it a prime choice for light highlighting as well.
TITANIUM WHITE
Clean and opaque, Titanium White is considered the strongest and most standout white. It is a popular choice among artists, both for the strength of its finish and ability to provide good coverage, thus lending itself well to base layers, or when a large surface area must be painted in white.
CHINESE WHITE
WHITE INKS
The whites found in both our Calligraphy Ink and Drawing Ink ranges are lauded for their brilliance, particularly when used on dark paper. They can be applied to surfaces with a variety of tools, including brushes and dip pens, and are lovely for hand-lettering or adding a subtle sheen to work.
WHITE BLENDER
The Winsor & Newton Pigment Marker™ White Blender is the first-of-its-kind – a revolutionary tool for artists and illustrators who want to access a limitless palette. Specifically designed for the Pigment Marker range, the White Blender allows artists to soften, build, and blend colors with ease and can be used on black paper as well.
Thank you, Pam
Nov 11
Vocabulary Lesson
heather, verb, heath·er \ˈhe-thər\ : an act of re-purposing a watercolor substrate by washing away all but a ghost of all the hard work your put into it.
"I heathered an old painting that was just soooooooooooooooo awful and then painted this lovely thing on top of it."
New Logo
For a printable version, go to: Origami Pamphlet
5th Annual Show at Cafe Seventy8 Review
It's great. If you have a chance to stop by, I highly recommend it.
Here is a snippet from the cafe owner's email:
"I love the show! I just love how you guys evolve every year. Plus I really like the way you guys arranged it on the wall.
I sure hope, you will book again for next year, Anett"
heather, verb, heath·er \ˈhe-thər\ : an act of re-purposing a watercolor substrate by washing away all but a ghost of all the hard work your put into it.
"I heathered an old painting that was just soooooooooooooooo awful and then painted this lovely thing on top of it."
New Logo
I designed this in black and white. It is set up for any color choices a heart desires. It is available to anyone that wants to use it in any size, format or transparency.
Origami Pamphlet
Here is yet another way to create a booklet that requires no sewing, glue, etc. For a printable version, go to: Origami Pamphlet
5th Annual Show at Cafe Seventy8 Review
It's great. If you have a chance to stop by, I highly recommend it.
Here is a snippet from the cafe owner's email:
"I love the show! I just love how you guys evolve every year. Plus I really like the way you guys arranged it on the wall.
I sure hope, you will book again for next year, Anett"
Oct 24
Article - Turner's Water Colours
Hi,
This is an article from W & N re Turner's color choices. It's not about watercolor specifically, but thought, in light of the recent exhibit, some might be interested. Thank you, Pam
Turner’s Water Colours
Pigments found within his water colours include Gamboge, Quercitron Yellow, Vermilion, various iron oxides including Ochres, Umbers and Siennas, Indian Yellow, "Green Lake", Prussian Blue, Indigo, Cobalt Blue, Blue Verditer, Rose Madder, other red lake pigments possibly Carmine, Bone Black, and Mercuric Iodide (genuine scarlet). He used water colours in a block form and there is evidence he made some, if not all, himself.
For more information: Palettes of the masters - JMW Turner
Geeking Out
Found these articles when I explored Pam's pigment article:
A Colourful Relationship: Josef Albers and Winsor & Newton (Part I)
A Career Celebration: Josef Albers and Winsor & Newton (Part II)
Showing It
Mary C. is in the "Tiny" show at Studio Gallery
Reception: Sun, Nov 15, 1-6 pm
Show: Nov 12 - Dec 23
Studio Gallery, 1641 Pacific Ave, San Francisco 94109, 415-931-3130
Hi,
This is an article from W & N re Turner's color choices. It's not about watercolor specifically, but thought, in light of the recent exhibit, some might be interested. Thank you, Pam
Turner’s Water Colours
Pigments found within his water colours include Gamboge, Quercitron Yellow, Vermilion, various iron oxides including Ochres, Umbers and Siennas, Indian Yellow, "Green Lake", Prussian Blue, Indigo, Cobalt Blue, Blue Verditer, Rose Madder, other red lake pigments possibly Carmine, Bone Black, and Mercuric Iodide (genuine scarlet). He used water colours in a block form and there is evidence he made some, if not all, himself.
For more information: Palettes of the masters - JMW Turner
Geeking Out
Found these articles when I explored Pam's pigment article:
A Colourful Relationship: Josef Albers and Winsor & Newton (Part I)
A Career Celebration: Josef Albers and Winsor & Newton (Part II)
Showing It
Mary C. is in the "Tiny" show at Studio Gallery
Reception: Sun, Nov 15, 1-6 pm
Show: Nov 12 - Dec 23
Studio Gallery, 1641 Pacific Ave, San Francisco 94109, 415-931-3130
Oct 10
Videos about Yupo
Watercolor on Yupo Part 1
Watercolor on Yupo Part 2
Watercolor on Yupo Part 3
Painting on Yupo Using Negative Shapes
Book Recommendation
Local Color: Seeing Place Through Watercolor by Mimi Robinson
She is an adjunct professor at California College of the Arts. (In this case, local means San Francisco Bay Area)
Thank you, Joanie
Tuesday Artists
We are working from Mastering Color and Design by Christopher Schink .
This week, Part 1 - Design
Watercolor on Yupo Part 1
Watercolor on Yupo Part 2
Watercolor on Yupo Part 3
Painting on Yupo Using Negative Shapes
Book Recommendation
Local Color: Seeing Place Through Watercolor by Mimi Robinson
She is an adjunct professor at California College of the Arts. (In this case, local means San Francisco Bay Area)
Thank you, Joanie
Tuesday Artists
We are working from Mastering Color and Design by Christopher Schink .
This week, Part 1 - Design
Oct 03
Tuesday Morning Art Group
- We will continue to introduce each other to new artists
- We will continue to introduce each other to new artists
Once a month, not once a week
- We will have a weekly experiment
Here is a link to Amazon's page for the book we will be using: "Mastering Color and Design in Watercolor" by Christopher Schink. . It was a book in Kay's class library and looks good for those just
starting out and those that can use reminders of the important basics.
- Watching instructional DVD's
Avelina
has volunteered her home as a gathering spot for watching watercolor
tutorials or related subjects. No date has been scheduled yet, but it
will occur at the usual Tuesday 10 am time. She lives in the Diamond Heights area
NOTE:
- Participants have a choice of creating new paintings each month and/or each week, relating to the artist or experiment, if they want. It is not mandatory.
- Participants have a choice of creating new paintings each month and/or each week, relating to the artist or experiment, if they want. It is not mandatory.
- Participants can show artwork inspired by other means and talk about how it relates to the current topics.
- Participants can show artwork that does not relate to any of the ongoing topics
- Participants can show themselves and soak in the good.
Call for Entries
STUDIO Gallery
1641 Pacific Avenue (between Polk & Van Ness), San Francisco, CA 94109 415-931-3130
STUDIO Gallery in San Francisco is looking for artists to participate in our annual juried show of small works, which starts November 12, 2015. The show, titled tiny, will consist of work under a certain size (7" x 7" x 7", including any frame)
and under a certain price ($500 retail). We are interested in any 2D or
3D media (paintings, prints, ceramics, glass, metal, mixed media,
sculpture, etc.). The gallery shows only local artists, so only work
from artists in the greater San Francisco Bay Area will be considered.
If you have work that you think would be a good fit for the show, you
have two options:
1. Email us at Art@STUDIOGallerySF.com
and send us a link to an on-line site where we can view photos of your
work. Indicate 2-3 specific pieces you think are a fit for the show and
where to find them on the site. Be sure to include the title, medium,
dimensions and suggested retail price for each piece, either in your
note or on the site. (Sorry, we aren't going to "friend" you or sign up
for some service in order to look at your pictures.)
2. Email us at Art@STUDIOGallerySF.com with 2-3 low-resolution (72dpi) photos of your work in jpg format; total attachments should not exceed 500K. Be sure to include the title, medium, dimensions and suggested retail price for each piece in your note. We will be looking at work for tiny until about Monday, November 2nd or until the show fills up. We suggest that you contact us soon if you're interested in participating since we usually get a lot of interest in the show. Feel free to forward this on to other artists if you like. |
A couple of tips:
- If you want to see the kind of work that we accept for the show, look at the pieces from last year's tiny show on our site. Click here or here or to see images from last year's show.
- If we feel that your work is a potential fit for the show we will contact you to set up an appointment after October 5th to see your pieces in person. Please don't show up at the gallery unannounced with work for us to review.
- We generally get hundreds of submissions, so please give us some time to get back to you.
- Feel free to email us at Art@STUDIOGallerySF.com if
you have questions.
Juliet and Latonia - Open Studio
Saturday, October 24 - 11am to 6 pmArt Show Party - Saturday, October 24 - 6 to 8 pm
Sunday, October 25 - 12:30 pm to 6 pm
Sep 26
Weiwei on Alcatraz
From Peg - For those of us who missed the art installation of Ai Wei Wei on Alcatraz ( I was actually there to see it with my sister but then she hurt her foot and missed it!) the parks has made a 3D tour possible!
Go to: Weiwei on Alcatraz in a Virtual 3D Space
Video - Liquid Watercolor
Whether you are interested in exploring liquid watercolors or no, check out the ice cube tray this gal uses!
Dr. Ph. Martin's Hydrus Liquid Watercolor
Here are videos from the Dr. Ph Martin site:
Hydrus Fine Art Liquid Watercolor Sets
From Peg - For those of us who missed the art installation of Ai Wei Wei on Alcatraz ( I was actually there to see it with my sister but then she hurt her foot and missed it!) the parks has made a 3D tour possible!
Go to: Weiwei on Alcatraz in a Virtual 3D Space
Video - Liquid Watercolor
Dr. Ph. Martin's Hydrus Liquid Watercolor
Here are videos from the Dr. Ph Martin site:
Hydrus Fine Art Liquid Watercolor Sets
Sep 19
Tuesday Artist
John Salminen
Inspiring for some, daunting for others
Summary: abstract + realism, loose + detail, jigsaw shapes with color areas, one main focal area
Next week: Jane Hofsetter
Note from Carol
About John Salminen:
Shirley, thanks for this. I go to a lake near Duluth every summer but timing never allowed a workshop there. He is a Finnish-American man with considerable talents. Interesting that he and Cheng-Khee Chee, another remarkable artist, live in a town of 80K people in the far north. I scoured the area with long summers up there. Salminen was the juror for the CWA show here a few years ago, gets good press about his workshops and I've seen lovely paintings from folks who studied with him. Cheng-Khee Chee comes out this way regularly (3 sons in Bay Area) and worth seeking out for a workshop. Formerly from Taiwan, he wound up somehow, as the librarian at the Univ. of Minn.Duluth campus, painting outside the day job…His workshops are 5 days, with everything from ink floating over rice paper in a tub, to crinkled paper that you whisk the dry brush over to create initial impressions, to dripping paint onto Illustration Board, to lots of lifting and layering when painting Koi or other subjects. One approach per day. Terrific fun and quite inspiring when you feel the need to become more expansively creative.
I looked up Cheng-Khee Chee and loved his work, as well. -Shirley
Cheng-Khee Chee
Article - the Study of Color
Pam found another great article on the Daniel Smith site:
The Study of Color
Peninsula Museum of Art
There is no watercolor exhibit showing now, but I have heard great things about this place:
Peninsula Museum of Art
Salminen by Avelina |
Inspiring for some, daunting for others
Summary: abstract + realism, loose + detail, jigsaw shapes with color areas, one main focal area
Next week: Jane Hofsetter
Note from Carol
About John Salminen:
Shirley, thanks for this. I go to a lake near Duluth every summer but timing never allowed a workshop there. He is a Finnish-American man with considerable talents. Interesting that he and Cheng-Khee Chee, another remarkable artist, live in a town of 80K people in the far north. I scoured the area with long summers up there. Salminen was the juror for the CWA show here a few years ago, gets good press about his workshops and I've seen lovely paintings from folks who studied with him. Cheng-Khee Chee comes out this way regularly (3 sons in Bay Area) and worth seeking out for a workshop. Formerly from Taiwan, he wound up somehow, as the librarian at the Univ. of Minn.Duluth campus, painting outside the day job…His workshops are 5 days, with everything from ink floating over rice paper in a tub, to crinkled paper that you whisk the dry brush over to create initial impressions, to dripping paint onto Illustration Board, to lots of lifting and layering when painting Koi or other subjects. One approach per day. Terrific fun and quite inspiring when you feel the need to become more expansively creative.
Keep those painter suggestions coming! I LOVED Ann Blockley's work!
Best, Carol F.I looked up Cheng-Khee Chee and loved his work, as well. -Shirley
Cheng-Khee Chee
Article - the Study of Color
Pam found another great article on the Daniel Smith site:
The Study of Color
Peninsula Museum of Art
There is no watercolor exhibit showing now, but I have heard great things about this place:
Peninsula Museum of Art
Sep 12
Tamayo by Joanie |
Very textured background, wonderful watermelons, abstract.
Reminded us of Morris Graves and Kay Russell.
At the Noe Valley branch, 451 Jersey St at Castro
Tuesday, Sep 15, 6:30 p.m.
The librarian she spoke to said the colors in the 1973 film are very good.Next week: John Salminen
Gay Kreager - Instructor
A few weeks ago I posted some videos about watercolor journaling that a lot of you liked. Pat found classes and DVD's y'all might be interested in:
Gay's website: http://www.watercolorjournaling.com/
Online Classes
Learn non-threatening, easy-going techniques that cover the basics of drawing, writing, watercoloring and journaling.
http://www.watercolorjournaling.com/online-classes/online-classes.htm
Beginning Watercolor Journaling DVD
http://www.watercolorjournaling.com/shop.htm
And she has ways to connect online with other artists.
Open Studios
Emily Citraro
I wanted to let folks know that I have my open studios Friday Sep 25 from 7-11 and then I'll be there Saturday 12-5, if anyone wants to stop in. The address is 2425 17th St, SF, 94110, Studio #28 (also open 9/27 but I'm leaving for Graeagle, so a friend is watching my space that day).
Studio announcement page is here: Art Explosion Studios
(If you want me to include you in this announcement, email me at: watercolor-sf@gmail.com
Sep 05
Artistic Activity Good for Us
Carole D. sent me this article.
Artistic Activity Cuts Risk of Cognitive Impairment By 75%
Tuesday Artists
Ann Blockley
General consensus: Fun, delightful, her techniques could apply to any subject.
Textures: spatter, granulation medium, gesso, scraping, wax, sponging, alcohol, saran wrap (with or without injections), wet, backgrounds and negative painting.
Next artist: Rufino Tamayo
Open Studios
It's that time of the year again. I will post folks from our group who are participating, as I get the info:
Open Studios
Emily Citraro
I wanted to let folks know that I have my open studios Friday Sep 25 from 7-11 and then I'll be there Saturday 12-5, if anyone wants to stop in. The address is 2425 17th St, SF, 94110, Studio #28 (also open 9/27 but I'm leaving for Graeagle, so a friend is watching my space that day).
Studio announcement page is here: Art Explosion Studios
Video - Folded Journal
For you do it your-self-ers, can be done with a full sheet of watercolor paper!
No-Sew Folding Journal
Carole D. sent me this article.
Artistic Activity Cuts Risk of Cognitive Impairment By 75%
Tuesday Artists
Blockley by Shirley |
Ann Blockley
General consensus: Fun, delightful, her techniques could apply to any subject.
Textures: spatter, granulation medium, gesso, scraping, wax, sponging, alcohol, saran wrap (with or without injections), wet, backgrounds and negative painting.
Next artist: Rufino Tamayo
Open Studios
It's that time of the year again. I will post folks from our group who are participating, as I get the info:
Open Studios
Emily Citraro
I wanted to let folks know that I have my open studios Friday Sep 25 from 7-11 and then I'll be there Saturday 12-5, if anyone wants to stop in. The address is 2425 17th St, SF, 94110, Studio #28 (also open 9/27 but I'm leaving for Graeagle, so a friend is watching my space that day).
Studio announcement page is here: Art Explosion Studios
Video - Folded Journal
For you do it your-self-ers, can be done with a full sheet of watercolor paper!
No-Sew Folding Journal
Aug 29
Tuesday Artist
Dong Kingman - Shirley's choice
We took over Creightons and this is what we noticed:
- Complex Simplicity, cartoonish and sophisticated
- Reserved color palette
- He structured his paintings in a Lego block manner
- He cherished his whites and blacks
Next week: Ann Blockley - Joanie's choice
Up next: Avelina
Message from Peg
For Lovers of the Right Things
I found this video about travel kits that had so many useful little bits, I had to include it for those that have perfectly organized watercolor paraphernalia.
Homemade Watercolor Kits
Substituting Colors
An interesting and thorough (read “long") article about pigments and their characteristics in relationship to substituting one color for another from Ms Pam.
Substituting Colours - Be Careful What You Wish For
Dong Kingman - Shirley's choice
We took over Creightons and this is what we noticed:
- Complex Simplicity, cartoonish and sophisticated
- Reserved color palette
- He structured his paintings in a Lego block manner
- He cherished his whites and blacks
Next week: Ann Blockley - Joanie's choice
Up next: Avelina
Message from Peg
Attached to a following email is something I recently did with the
Gelli. I continue to explore printing with water colors to help me
become a better designer and to plan the impact of textures and layers.
I thought I would be able to attend the meetings this month but was
waylaid. I am gone most of September (painting trip in Alaska and then
Graeagle) so it looks I will catch up with the group in October. Miss
you all, please pass on my kindest regards
and admiration for what you are doing.
For Lovers of the Right Things
I found this video about travel kits that had so many useful little bits, I had to include it for those that have perfectly organized watercolor paraphernalia.
Homemade Watercolor Kits
Substituting Colors
An interesting and thorough (read “long") article about pigments and their characteristics in relationship to substituting one color for another from Ms Pam.
Substituting Colours - Be Careful What You Wish For
Aug 22
Tuesday Artist
I have added a new page to the blog called "Tuesday". It will highlight the those artists that are presented by the group for our weekly experiment. Everyone is invited to check out these artists, even if you are not participating in the activity.
A link will be sent to those on the "Tuesday" list and the page can also be found near the top of the page, in the navigation bar:
Jeanne Lotta-Sellars
Video - Hilma af Klint
Lee F. sent me this video. She will be happy to translate for anyone interested (just kidding). I can see Hilma's influence on Lee's art.
Hilma af Klint
I was looking for an English translation and found this very interesting lecture. It is more about how artists think than Hilma, but thought it worthy.
Gertrud Sandqvist at Summer Academy
Watercolor Teacher - Birgit O'Connor
Pam R. has taken classes with Birgit and always learns something new:
Birgit O'Connor Watercolors
I have added a new page to the blog called "Tuesday". It will highlight the those artists that are presented by the group for our weekly experiment. Everyone is invited to check out these artists, even if you are not participating in the activity.
A link will be sent to those on the "Tuesday" list and the page can also be found near the top of the page, in the navigation bar:
Jeanne Lotta-Sellars
Video - Hilma af Klint
Lee F. sent me this video. She will be happy to translate for anyone interested (just kidding). I can see Hilma's influence on Lee's art.
Hilma af Klint
I was looking for an English translation and found this very interesting lecture. It is more about how artists think than Hilma, but thought it worthy.
Gertrud Sandqvist at Summer Academy
Watercolor Teacher - Birgit O'Connor
Pam R. has taken classes with Birgit and always learns something new:
Birgit O'Connor Watercolors
Aug 15
Kay at Crome
Tuesday at Creightons - Aug 11
Hi, TACers
We have finally completed all the exercises in Watercolor Bold and Free!! We met at the Bernal Library to share the Four Variations on a Theme. It was fun to see all four pieces together.
We had:
Heather, with her four chairs
Carole’s San Bruno Mountain
Janie’s Mt. San Michel
Joanie’s Marin Hills
Shirley’s San Francisco scenes
Lee started but wants to take more time on this project so she shared her other favorites.
Sue is working on roads but didn’t quite finish.
Marjorie, Jeanette and Carole’s artist friend were the appreciative audience. We were very happy to see Marjorie. She looked great and is healing well!!!!
We are back at Creighton’s on Tuesday, Aug 18 at 10 am and will start our Artist Adventure! Shirley will have a presentation on one of her favorite artists. And, if you have anything you want to share or need our sterling advice about, COME!!!!!!
And I have a request that, after each person presents and the group shares, that person would do the weekly write-up for the blog. It can be any way you want it to be. We will talk more on Tuesday.
Until then, Joanie
Video
Watercolor Techniques with Don Andrews
I don't know how believable, but some interesting ideas.
Creating Believable Fleshtones
Carol Duchamp
Greetings,
Tuesday at Creightons - Aug 11
Hi, TACers
We have finally completed all the exercises in Watercolor Bold and Free!! We met at the Bernal Library to share the Four Variations on a Theme. It was fun to see all four pieces together.
We had:
Heather, with her four chairs
Carole’s San Bruno Mountain
Janie’s Mt. San Michel
Joanie’s Marin Hills
Shirley’s San Francisco scenes
Lee started but wants to take more time on this project so she shared her other favorites.
Sue is working on roads but didn’t quite finish.
Marjorie, Jeanette and Carole’s artist friend were the appreciative audience. We were very happy to see Marjorie. She looked great and is healing well!!!!
We are back at Creighton’s on Tuesday, Aug 18 at 10 am and will start our Artist Adventure! Shirley will have a presentation on one of her favorite artists. And, if you have anything you want to share or need our sterling advice about, COME!!!!!!
And I have a request that, after each person presents and the group shares, that person would do the weekly write-up for the blog. It can be any way you want it to be. We will talk more on Tuesday.
Until then, Joanie
Video
Watercolor Techniques with Don Andrews
I don't know how believable, but some interesting ideas.
Creating Believable Fleshtones
Carol Duchamp
Greetings,
This
is the week to enjoy some of my framed and unframed paintings at both
the Mill Valley Community Center and Marin French Cheese factory
including Particle Fever in Mill Valley and Softly at Cheese Factory!
Enjoy! See announcements below.
Warmly, Carol
Aug 08
Oh No!
For all you texture lovers:
Revamped Bubble Wrap Loses Its Pop
Watercolor Class
at San Francisco Women Artists
Watercolor Basics
Saturdays, Aug 22 & 29
9 am to 4 pm
7th Annual 50|50 Show
Mary and Juan invite you to:
Open-Door Reception, Fri Aug 28, 8–10 pm
Show runs from Aug 28 to Sep 20.
For all you texture lovers:
Revamped Bubble Wrap Loses Its Pop
Watercolor Class
Watercolor Basics
Saturdays, Aug 22 & 29
9 am to 4 pm
7th Annual 50|50 Show
Mary and Juan invite you to:
Open-Door Reception, Fri Aug 28, 8–10 pm
Show runs from Aug 28 to Sep 20.
Aug 01
Documentary
Janie found this on HBO:
Packed in a Trunk: The Lost Art of Edith Lake Wilkinson
Tuesday at Creightons - Jul 28
Hi, TACers,
Once we settled, we shared our Four Variations on a Theme II.
SHIRLEY did her second “City” painting focusing on granular paint to create texture. She is working things out for larger paintings of these studies. She used all Daniel Smith colors.
HEATHER changed color in her second “Chair” piece, going from the natural colors in her garden to reds, pinks and purples using watercolor and watercolor crayon.
LEE worked on the old version of Penultimate on her tablet (?) and is figuring out how to translate it into a watercolor. It was her dog with a wonderful mix of line, line, colored line and more line…fun!!! She asked for ideas and, as usual, we had lots of intriguing and useful ideas.
AVELINA was looking through previous work and rediscovered her wonderful portrait of an African American farmer from California that she had done in two versions, natural and blues. She is planning to redo him for this project.
JOANIE went on a little vacation and was engaged with the Marin Hills with ochers, golds and the green-black oaks she saw along the highway coming home. She did a more natural version and then abstracted blotches for her second version.
CAROLE is still deciding what she wants to do and we all voted for Mt. San Bruno over her olive tree from Italy. She already has 3 versions of the mountain for inspiration.
JANIE was Turner inspired. She is already on her third version of Mt. San Michel in France. This one had a pale glow in dreamy colors. When do we leave???
SUE just started on her “Road” series. She has been distracted by creating a 5’x10’ backdrop, in watercolor of eucalyptus leaves for her own wedding celebration! Best Wishes!!!!!
!!!!NOTICE!!!!
We will meet as usual at Creightons next week, Tuesday, August 4th from 10-12 but the following week we will meet at the BERNAL HEIGHTS BRANCH LIBRARY the following week, Tudsday, August 11th, for a showing of our “Four Variations on a Theme” and, if you choose, meaningful pieces from the Watercolor Bold and Free experiments that you loved, hated, had a breakthrough, learned something, it just turned out great….
Even if you haven’t done everything, come and join us for the fun and to help us celebrate a sense of completion!
Next experiment: Four Variations on a Theme III.
Soon,
Joanie and Shirley
Kay Russell
Struts her stuff at Crome Architecture, 905 4th Street, San Rafael, CA
Opening Reception: Friday, Sep 11, 5 - 8 pm.
Show runs for about a month.
Sanchez Gallery 50/50
Mary and Juan have 50 paintings each!
7th Annual Sanchez Art Center 50|50 Show
Aug 28 - Sep 20
Janie found this on HBO:
Packed in a Trunk: The Lost Art of Edith Lake Wilkinson
Tuesday at Creightons - Jul 28
Hi, TACers,
Once we settled, we shared our Four Variations on a Theme II.
SHIRLEY did her second “City” painting focusing on granular paint to create texture. She is working things out for larger paintings of these studies. She used all Daniel Smith colors.
HEATHER changed color in her second “Chair” piece, going from the natural colors in her garden to reds, pinks and purples using watercolor and watercolor crayon.
LEE worked on the old version of Penultimate on her tablet (?) and is figuring out how to translate it into a watercolor. It was her dog with a wonderful mix of line, line, colored line and more line…fun!!! She asked for ideas and, as usual, we had lots of intriguing and useful ideas.
AVELINA was looking through previous work and rediscovered her wonderful portrait of an African American farmer from California that she had done in two versions, natural and blues. She is planning to redo him for this project.
JOANIE went on a little vacation and was engaged with the Marin Hills with ochers, golds and the green-black oaks she saw along the highway coming home. She did a more natural version and then abstracted blotches for her second version.
CAROLE is still deciding what she wants to do and we all voted for Mt. San Bruno over her olive tree from Italy. She already has 3 versions of the mountain for inspiration.
JANIE was Turner inspired. She is already on her third version of Mt. San Michel in France. This one had a pale glow in dreamy colors. When do we leave???
SUE just started on her “Road” series. She has been distracted by creating a 5’x10’ backdrop, in watercolor of eucalyptus leaves for her own wedding celebration! Best Wishes!!!!!
!!!!NOTICE!!!!
We will meet as usual at Creightons next week, Tuesday, August 4th from 10-12 but the following week we will meet at the BERNAL HEIGHTS BRANCH LIBRARY the following week, Tudsday, August 11th, for a showing of our “Four Variations on a Theme” and, if you choose, meaningful pieces from the Watercolor Bold and Free experiments that you loved, hated, had a breakthrough, learned something, it just turned out great….
Even if you haven’t done everything, come and join us for the fun and to help us celebrate a sense of completion!
Next experiment: Four Variations on a Theme III.
Soon,
Joanie and Shirley
Kay Russell
Struts her stuff at Crome Architecture, 905 4th Street, San Rafael, CA
Opening Reception: Friday, Sep 11, 5 - 8 pm.
Show runs for about a month.
Sanchez Gallery 50/50
Mary and Juan have 50 paintings each!
7th Annual Sanchez Art Center 50|50 Show
Aug 28 - Sep 20
Jul 25
Video: Back to Basics
Choosing the Right Watercolor Paper
And Pam sent in this: Visual Compliments
Creightons on Tuesday
Jul 14
Hi, TACers,
We are nearly at the end of “Watercolor Bold and Free”
24-Let Painted Lines Dominate was the last experiment before the 4 Variations on a Theme.
CAROL D. shared an abstract landscape with beautiful greys and blue greens. She added inks in red and “sparkle”.
HEATHER emulated Morandi with her painted lines that were drawn with a brush. She had bottles and jugs in red and blue. Her second was a landscape that had no pre-drawing, only painted lines.
MARJORIE is having surgery next week (July 21) at the same time we will be meeting so send her lots of good vibes!!!!!. She shared her new little journal. She did a piano, a tree and a landscape all done I lines with lots of bright color. She loved making shapes and contours wit only lines.
LEE did her garden in Healdsburg, twice, with lovely manzanita, their “pool” and a very pretty filigree screen.
SHIRLEY is off on a new project where she is manipulating scenes of the City on her computer in several ways and then translating into watercolor. She has big plans for this one!
JOANIE tried scoring and scratching her poppy stems to get that dark line but it didn’t work very well. She also was inspired by a tile she saw and copied.
And now we are doing the final four experiments. Can you believe we are almost done??? Let’s have a great time with this one!!!
Next Tuesday: Four Variations on a Theme One
Joanie
Jul 21
No Joanie, so a short note about our work:
The first step of the Four Variations seemed to be the hardest - figuring out what you wanted to do four times.
Heather divided a large sheet (yes, it was brand new) into four quadrants and plans to do the same scene in four different ways. I'm working on sample paintings of a new graphic view of San Francisco. Did not finish one, worked on all four. Avelina painted four versions of zebras. She will have a whole new stack of work if she keeps this up. Lee and Sue (if I missed someone, I am sorry, did not take notes and it's Saturday already) worked on some very cool pieces.
Next Tuesday: Four Variations on a Theme Two
AND
We have the community room at the library form 10-12, Tues. Aug. 11th!
Choosing the Right Watercolor Paper
And Pam sent in this: Visual Compliments
Creightons on Tuesday
Jul 14
Hi, TACers,
We are nearly at the end of “Watercolor Bold and Free”
24-Let Painted Lines Dominate was the last experiment before the 4 Variations on a Theme.
CAROL D. shared an abstract landscape with beautiful greys and blue greens. She added inks in red and “sparkle”.
HEATHER emulated Morandi with her painted lines that were drawn with a brush. She had bottles and jugs in red and blue. Her second was a landscape that had no pre-drawing, only painted lines.
MARJORIE is having surgery next week (July 21) at the same time we will be meeting so send her lots of good vibes!!!!!. She shared her new little journal. She did a piano, a tree and a landscape all done I lines with lots of bright color. She loved making shapes and contours wit only lines.
LEE did her garden in Healdsburg, twice, with lovely manzanita, their “pool” and a very pretty filigree screen.
SHIRLEY is off on a new project where she is manipulating scenes of the City on her computer in several ways and then translating into watercolor. She has big plans for this one!
JOANIE tried scoring and scratching her poppy stems to get that dark line but it didn’t work very well. She also was inspired by a tile she saw and copied.
And now we are doing the final four experiments. Can you believe we are almost done??? Let’s have a great time with this one!!!
Next Tuesday: Four Variations on a Theme One
Joanie
Jul 21
No Joanie, so a short note about our work:
The first step of the Four Variations seemed to be the hardest - figuring out what you wanted to do four times.
Heather divided a large sheet (yes, it was brand new) into four quadrants and plans to do the same scene in four different ways. I'm working on sample paintings of a new graphic view of San Francisco. Did not finish one, worked on all four. Avelina painted four versions of zebras. She will have a whole new stack of work if she keeps this up. Lee and Sue (if I missed someone, I am sorry, did not take notes and it's Saturday already) worked on some very cool pieces.
Next Tuesday: Four Variations on a Theme Two
AND
We have the community room at the library form 10-12, Tues. Aug. 11th!
Jul 18
Kalligraphia XIV
The calligraphy show "Kalligraphia XIV" is on at the main library, 6th floor skylight gallery and will be on for three months, until August 22. It happens every three years. It is a great show (even though I did not do anything for it this year). There will also be calligraphy demonstrations every week on Saturday afternoons in the lower level of the library. A number of calligraphers will be teaching different techniques.
Check out the website: Friends of Calligrahy Events
Here is a link to the show's schedule: Kalligraphia XIV
Thank you, Jo
About Tuesdays
We are coming to the end of the Goldsmith experiments and the next plan is to emulate our favorite artists.
Here's how I see the scenario, but it is open to suggestions:
- One of us will pick an artist, do a little research and do a 5-10 minute synopsis of why we liked them and what we think we could learn from them.
- Everyone will bring in the paintings the next week, to show and tell the results of our experiments.
- The next person will introduce their artist, lather, rinse, repeat.
Note: I can help with the presentation follow up by sending everyone pictures and links, if you provide me the information.
What is Tuesdays at Creightons? We are a group of watercolorists that meet at a coffee shop on Diamond Heights on Tuesdays. We decide on a painting assignment and share the results every week. We also bring in other work for the group to see, we share painting news and generally have a good time. All levels of expertise are welcomed, everyone is invited, just drop in when you can.
The calligraphy show "Kalligraphia XIV" is on at the main library, 6th floor skylight gallery and will be on for three months, until August 22. It happens every three years. It is a great show (even though I did not do anything for it this year). There will also be calligraphy demonstrations every week on Saturday afternoons in the lower level of the library. A number of calligraphers will be teaching different techniques.
Check out the website: Friends of Calligrahy Events
Here is a link to the show's schedule: Kalligraphia XIV
Thank you, Jo
About Tuesdays
We are coming to the end of the Goldsmith experiments and the next plan is to emulate our favorite artists.
Here's how I see the scenario, but it is open to suggestions:
- One of us will pick an artist, do a little research and do a 5-10 minute synopsis of why we liked them and what we think we could learn from them.
- Everyone will bring in the paintings the next week, to show and tell the results of our experiments.
- The next person will introduce their artist, lather, rinse, repeat.
Note: I can help with the presentation follow up by sending everyone pictures and links, if you provide me the information.
What is Tuesdays at Creightons? We are a group of watercolorists that meet at a coffee shop on Diamond Heights on Tuesdays. We decide on a painting assignment and share the results every week. We also bring in other work for the group to see, we share painting news and generally have a good time. All levels of expertise are welcomed, everyone is invited, just drop in when you can.
Jul 11
Tuesday at Creightons - Jun 30
Hi, TACers,
26 Change Colors Only Slightly
SUE sailed us off with her historic clipper ship in the arctic is shades of green. The scene was soft and muted. She did use a bit of Chinese white and lunar black.
AVELINA sweetened us up with CHOCOLATE! Her ice cream treats from Santa Cruz Beach Boardwalk were in tones of Burnt Sienna, Indian Red, Burnt Umber with some Mar Black and gouache. Her second piece was painted when she was sad and it was blues with a figure and it was sad.
SHIRLEY was playing with baby blocks. Her first was in blues and the second was bright. She is thinking another series.
HEATHER got dreamy with a sky/seascape in subtle, soft blues and lavenders.
MARJORIE did a swirly thing on yupo is reds. She built up from light to dark and got interesting drying lines. Then she did a print from another yupo painting and finally she did one in greens with leaf prints with resist, watercolor crayon and paint.
JOANIE was square…and rectangular with dots and blots, all in reds and a touch of gold spatter for sparkle.
JANIE flew us off to France by sharing here travel sketch book filled with lovely sketches of the places she visited. It was delightful!
A couple of tips were shared: for fine lines, try wax paper and a pencil. Just lay the wax paper over your piece and draw. Another line idea is to wet the lines first and then paint so colors shift around for more subtlties.
Next week: 42 Cool Subject, Hot Colors
That’s it! Hope to see you next week.
Joanie and Shirley
Video - Trees
How to Paint Trees in Watercolour - Part 1
How to Paint Trees in Watercolour - Part 2
How to Paint Trees in Watercolour - Part 3
Magic Sponge
For those of you looking for
the "Mr. Clean Magic Sponge" at Daiso,
here is the Japanese equivalent,
called a "Melamine Sponge".
Thank you Joanie
CMYK Nerding Continues
This just in from Pam:
Cyan, Magenta, and Yellow Markers That Mix Together to Make Green, Blue, Red, and Black. Really.
Go to Hands on Science for more info.
San Francisco Women Artists
SFWA, founded in 1887, is an historic nonprofit membership-based organization supporting and promoting the talents of Bay Area women artists. SFWA hosts monthly juried shows, showcasing paintings, photography, ceramics, sculpture, and jewelry created by member artists. Also, SFWA collaborates with other nonprofits, offers student internships, and hosts community events. New membership applications are invited.
Their new gallery just opened to the public at 647 Irving Street.
Go to San Francisco Women Artist for more information.
Tuesday at Creightons - Jul 07
Hi, TACers,
42 - Cool Subject, Hot Colors
SHIRLEY started us right off with a pink ice cube. It was melting because of the hot color! Besides watercolor she used a sharpie and a white gel pen.
MARJORIE went to YouTube and Birgit O’Connor for ideas and tried rainstorms, one in magenta and yellow, the other in vermillion and lime and they were very successful
HEATHER found this one difficult. She used an old painting as a base and copied the shadows in reds and browns.
JOANIE changed the blues and green of bamboo to golds, reds and browns.
AVELINA tried mesas from Sedona, which she loves, but then realized she had misread the experiment, so she tried again with the ocean in yellows oranges and brown with white added for waves. She thought it was a tranquil scene.
We were a small group so it went quickly. Avelina also shared more of the colorful figures which we all loved. Then we sat around for the rest of the time and figured “IT” out! Just great conversation…
Next week: 24 - Let Painted Lines Dominate
Come and be part of it next time!
Joanie
Hi, TACers,
26 Change Colors Only Slightly
SUE sailed us off with her historic clipper ship in the arctic is shades of green. The scene was soft and muted. She did use a bit of Chinese white and lunar black.
AVELINA sweetened us up with CHOCOLATE! Her ice cream treats from Santa Cruz Beach Boardwalk were in tones of Burnt Sienna, Indian Red, Burnt Umber with some Mar Black and gouache. Her second piece was painted when she was sad and it was blues with a figure and it was sad.
SHIRLEY was playing with baby blocks. Her first was in blues and the second was bright. She is thinking another series.
HEATHER got dreamy with a sky/seascape in subtle, soft blues and lavenders.
MARJORIE did a swirly thing on yupo is reds. She built up from light to dark and got interesting drying lines. Then she did a print from another yupo painting and finally she did one in greens with leaf prints with resist, watercolor crayon and paint.
JOANIE was square…and rectangular with dots and blots, all in reds and a touch of gold spatter for sparkle.
JANIE flew us off to France by sharing here travel sketch book filled with lovely sketches of the places she visited. It was delightful!
A couple of tips were shared: for fine lines, try wax paper and a pencil. Just lay the wax paper over your piece and draw. Another line idea is to wet the lines first and then paint so colors shift around for more subtlties.
Next week: 42 Cool Subject, Hot Colors
That’s it! Hope to see you next week.
Joanie and Shirley
Video - Trees
How to Paint Trees in Watercolour - Part 1
How to Paint Trees in Watercolour - Part 2
How to Paint Trees in Watercolour - Part 3
Magic Sponge
the "Mr. Clean Magic Sponge" at Daiso,
here is the Japanese equivalent,
called a "Melamine Sponge".
Thank you Joanie
CMYK Nerding Continues
Cyan, Magenta, and Yellow Markers That Mix Together to Make Green, Blue, Red, and Black. Really.
Go to Hands on Science for more info.
San Francisco Women Artists
SFWA, founded in 1887, is an historic nonprofit membership-based organization supporting and promoting the talents of Bay Area women artists. SFWA hosts monthly juried shows, showcasing paintings, photography, ceramics, sculpture, and jewelry created by member artists. Also, SFWA collaborates with other nonprofits, offers student internships, and hosts community events. New membership applications are invited.
Their new gallery just opened to the public at 647 Irving Street.
Go to San Francisco Women Artist for more information.
Tuesday at Creightons - Jul 07
Hi, TACers,
42 - Cool Subject, Hot Colors
SHIRLEY started us right off with a pink ice cube. It was melting because of the hot color! Besides watercolor she used a sharpie and a white gel pen.
MARJORIE went to YouTube and Birgit O’Connor for ideas and tried rainstorms, one in magenta and yellow, the other in vermillion and lime and they were very successful
HEATHER found this one difficult. She used an old painting as a base and copied the shadows in reds and browns.
JOANIE changed the blues and green of bamboo to golds, reds and browns.
AVELINA tried mesas from Sedona, which she loves, but then realized she had misread the experiment, so she tried again with the ocean in yellows oranges and brown with white added for waves. She thought it was a tranquil scene.
We were a small group so it went quickly. Avelina also shared more of the colorful figures which we all loved. Then we sat around for the rest of the time and figured “IT” out! Just great conversation…
Next week: 24 - Let Painted Lines Dominate
Come and be part of it next time!
Joanie
Jul 04
Drawing at St. Martins
Hello everybody,
The Soup Kitchen Drawing Group will meet on July 17 with MARIA and August 14 with EDNA.As part of our restructuring, we will be collecting a $25 Annual Fee from each person and drawing sessions will be on a sliding scale of $12 - $15. This will ensure that we stay solvent when attendance dips from time to time. Model fees are currently $80/session but will be increased to $85 soon.
I look forward to your interest and participation to help maintain this group and keep it going. Thank you, Larry and Mim
Martin de Porres House of Hospitality
225 Potrero Avenue, San Francisco, CA 94103
415-552-0240
info@martindeporres.org
http://martindeporres.org/
Tuesday at Creightons - Jun 23
Hi, TACers,
As we settled in for our session with coffee and treats we were sharing books and discussing what we would do when we complete the Goldsmith book. At the moment Painting in the style of a favorite artist, chosen by a different one of us each week, has had the most energy. If you have suggestions please let us know ASAP!
57 Work with Marking Pens
JOANIE started with two pieces that she painted with a kid watercolor palette that had no true colors. The paints were chalky but she added bold marker lines and they turned out to be a little whimsical.
AVELINA used all marker and created a very lively rooster with a great tail and then painted on small pieces of a Chinese paper that had a dry brush effect. They were fast, free and fun!
LEE did a long, narrow paper of a palm tree in watercolor with the palm fronds with marker. It was delicate.
CAROL D. did a rock that looked like a dog. She included razor point pen and gel pen. It really did look like a dog and Shirley named him “Shep”.
SUE did a very energetic water/landscape with washes first and then she added pen work. It looked like the water was gushing.
SHIRLEY did lots of swirls with varied line, shape and color. There were her favorite dots, too.
MARJORIE also did a rooster. She started with watercolor underneath and added pen. That rooster was IN CHARGE!
HEATHER recreated an old watercolor with watercolor crayon to interesting effect. She didn’t have markers so she improvised and she left it dry.
Next week: 26 Change Colors Only Slightly
Hope to see you Tuesday!
Joanie
Heather and Sue Show Photos
Including a stealth visitor
Heather with her pieces at Goat Hill Pizza |
Avelina and Sue with Sue's pieces |
Evelyne took a selfie for proof of her visit to the show. I miss you, already. |
The Great Masters - The English Masters - Turner
All you ever wanted to know about Turner, and More!
Jun 27
A New Page
Look above and you will see an new tab for the "Index" page. I have listed the last few months of contents so that you can find videos and other beloved posts. Don't know how much further back in history I will go, but will try to, at least, keep it up to date.
Peg's Show
The Artist's Statement
Paintings From an Artist-In-Residency
With the exhibit “In a Good Light” Peg Robinson shares her experience of an extraordinary environment in the redwood forests of Northern California, the estate and legacy of Morris Graves (1910-‐2001). Graves, a member of a group of artists who were described as the Northwest School of Visionary Art, was well known for his early works committed to the transcendent vision of the inner-‐eye, and in later years his flower paintings created at his California studio.
In 2014 Peg was awarded a two-‐week artist-‐in-‐residency by the Morris Graves Foundation to create art in and around the home and studio of the late painter. The paintings shown here today are the work from that residency.
Influenced and inspired by Graves’ artifacts, approach and the surrounding landscape, Peg expresses her direct engagement with the animal and plant life around a 2000-‐year old rift lake.
The subject matter in Peg’s paintings comes directly from objects found in Graves’ studio or home, or from life observed in the surrounding environment. His shells from nearby Pacific beaches, a collection of bottles and cups used in his still-‐life flower paintings, flowers from his garden, the wildlife in around the lake, the trees of the land, and the detritus of the forest floor serve as markers of the time spent at this remarkable locale. Additional influence and inspiration came from Graves’ use of rice paper and of course the October light of Northern California.
Using watercolors as her primary medium, Peg worked “en plein aire” as well as in the studio -‐ sometimes using a direct painting approach but also letting paintings develop over time from observation and contemplation. Rice paper became part of certain paintings and, at other times, part of the process of applying paint through stippling, stenciling and mono-‐ printing techniques.
Morris Graves once wrote of painting “…that unutterable beauty no thing or space is free from”. Beauty is in abundance at his estate and deeply influenced Peg’s choice of subject matter and approach. She hopes that translates for you into an enjoyable glimpse into a beautifully wild and wonderful world.
Video
This is not about watercolor, it is about how different artists look at the same thing and come up with very a different painting.
4 Artists Paint 1 Tree
Look above and you will see an new tab for the "Index" page. I have listed the last few months of contents so that you can find videos and other beloved posts. Don't know how much further back in history I will go, but will try to, at least, keep it up to date.
Peg's Show
The Artist's Statement
Paintings From an Artist-In-Residency
With the exhibit “In a Good Light” Peg Robinson shares her experience of an extraordinary environment in the redwood forests of Northern California, the estate and legacy of Morris Graves (1910-‐2001). Graves, a member of a group of artists who were described as the Northwest School of Visionary Art, was well known for his early works committed to the transcendent vision of the inner-‐eye, and in later years his flower paintings created at his California studio.
In 2014 Peg was awarded a two-‐week artist-‐in-‐residency by the Morris Graves Foundation to create art in and around the home and studio of the late painter. The paintings shown here today are the work from that residency.
Influenced and inspired by Graves’ artifacts, approach and the surrounding landscape, Peg expresses her direct engagement with the animal and plant life around a 2000-‐year old rift lake.
The subject matter in Peg’s paintings comes directly from objects found in Graves’ studio or home, or from life observed in the surrounding environment. His shells from nearby Pacific beaches, a collection of bottles and cups used in his still-‐life flower paintings, flowers from his garden, the wildlife in around the lake, the trees of the land, and the detritus of the forest floor serve as markers of the time spent at this remarkable locale. Additional influence and inspiration came from Graves’ use of rice paper and of course the October light of Northern California.
Using watercolors as her primary medium, Peg worked “en plein aire” as well as in the studio -‐ sometimes using a direct painting approach but also letting paintings develop over time from observation and contemplation. Rice paper became part of certain paintings and, at other times, part of the process of applying paint through stippling, stenciling and mono-‐ printing techniques.
Morris Graves once wrote of painting “…that unutterable beauty no thing or space is free from”. Beauty is in abundance at his estate and deeply influenced Peg’s choice of subject matter and approach. She hopes that translates for you into an enjoyable glimpse into a beautifully wild and wonderful world.
Video
This is not about watercolor, it is about how different artists look at the same thing and come up with very a different painting.
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