Just some of the pieces from her show. Congratulations, Heather.
Diebenkorn in Richmond
Gretchen Grant, daughter of Richard Diebenkorn, and Kathan Brown, founder of Crown Point Press and printer and publisher of the artist’s significant work in intaglio, will talk about the long span of years watching Richard Diebenkorn at work and being engaged by his process. Kathan Brown’s documentary of Diebenkorn will also be screened.
Richard Diebenkorn: The Long Regard
Sunday, Sep 21, 1:30 pm - 3:00 pm
Free
Richard Diebenkorn: The Long Regard
Show in Santa Rosa
Watercolor Artists of Sonoma County 20th Annual Watercolor Exhibition
September 12 - 21
Monday - Saturday 10 am - 8 pm, Sunday 11 am - 5:30 pm
Watercolor Demonstrations: Saturday & Sunday 1-4 pm
You are invited to our reception:
Sunday, September 14 • 4 - 5:30 pm
Coddingtown Mall, Santa Rosa, located on Steele Lane,
Just West of Highway 101 in Santa Rosa, CA
Calligraphy with the Special Collections Librarian
A Letter to Jo:
Hi Jo,
I enjoyed meeting your fellow water color
painters and I hope they were inspired by the original works of
lettering artists from the Harrison Collection today.
What a fun group of women! Here is a list of the calligraphers I
brought out today. Please encourage them to visit us again. No
appointment necessary.
Marie Angel (botanicals, La Fontaine, exotic birds, My Cat Has Eyes of Sapphire Blue, published books)
Brenda Walton (framed piece)
Georgia Deaver (framed pieces, Gertrude Stein’s “A rose is a rose is a rose,” greeting cards)
Donald Jackson (framed angel piece)
John Prestianni (framed Orpheus piece)
Heather Child (manuscript book)
Pamela Stokes (Wildflowers manuscript book)
Thomas Ingmire (Rimbaud’s Alchemie de Verbe manuscript book)
I think that pretty much covers what I showed the group.
All best,
Andrea V. Grimes
Daniel Smith Revamp
product news -
Dear Customer:
John Cogley, President
We are going back to OUR ROOTS - as a PAINT MANUFACTURER!
As you know, DANIEL SMITH started as a manufacturing company and has been for 37 years.
As you know, DANIEL SMITH started as a manufacturing company and has been for 37 years.
DANIEL SMITH paint is now available in retail stores throughout the
USA and around the world-we are bigger than ever and getting bigger all
the time. This has expanded our manufacturing exponentially and we are
now focusing entirely on this endeavor.
What this means to you, our valued and loyal customer:
- DANIEL SMITH PAINTS will be available in more Art Stores in the US and around the world.
- Our CATALOG/PHONE CENTER will close on October 31, 2014.
- Our E-COMMERCE SITE will focus on only DANIEL SMITH PAINT.
- DANIEL SMITH will continue to produce the very best, highest quality professional paints you know and love.
Our SEATTLE and BELLEVUE STORES will remain open and in
full operation. They will carry all the products they have carried in
the past and more. Our staff looks forward to assisting you in your
artistic endeavors.
THANK YOU so very much for your many years of loyalty to DANIEL
SMITH. We make the best paints in the world and look forward to
exceeding your expectations of our paint products.
Look for DANIEL SMITH paint at your local art store. If they don't
have what you are looking for, please request they stock it. Until they
do, please come to our website - you will find it there!
Best, John Cogley, President
Tuesday at Creightons - Sep 02
Hi, Tuesday at Creighton-ers!
Carole D. is off to Italy for a month to eat, drink and paint! Is there room in her suitcase for us???
Mary shared pictures of her show. They were big and richly colored and amazing! They were created in the ‘80s when she was doing work through the Painting Experience and were very personal.
Several in the group are either renting or creating studios at home and were so excited about having a designated place to paint.
Once again, the sharing of the Goldsmith experiments was wonderful and so varied.
- Carmel went wild with oranges and yellows and used frisket/mask. It was full of energy and playfulness. She says that you can use frisket up to 50/50 with water. Also on wet paper. It makes beautiful, soft splodges. And don’t use old frisket!
- Shirley’s was looking through a dirty windshield. She is experimenting with Holbein “Iradori” colors and she played with bubbles, which make subtle patterns, in her background. She also replaced a pencil with a paintbrush in a compass to good effect. Her piece was rich and energetic.
- Mary gave us a bird’s eye view of the golden hills of California on a summer day with rich golds and greens.
- Joanie was into clear blue skies and water.
- Sue recolored “The Scream” by Munch to express a personal experience. The colors were rich, which counterbalanced the subject.
Marjorie's Goldsmith piece was suggestive of graffiti and fun on a hot summer day. She shared an early piece in blues and golds where she used bottlecaps dipped in paint to make circles.
Next week we will not meet at Creightons but at the Main library at 12:00 to see the calligraphy collection at the library that Jo has arranged for us. We will be back to Creighton’s in two weeks.
The experiment is #6 - Emphasize Verticals - pages 41 + 43.
Hope to see you at both! Joanie and Shirley
Carole D. is off to Italy for a month to eat, drink and paint! Is there room in her suitcase for us???
Mary shared pictures of her show. They were big and richly colored and amazing! They were created in the ‘80s when she was doing work through the Painting Experience and were very personal.
Several in the group are either renting or creating studios at home and were so excited about having a designated place to paint.
Once again, the sharing of the Goldsmith experiments was wonderful and so varied.
- Carmel went wild with oranges and yellows and used frisket/mask. It was full of energy and playfulness. She says that you can use frisket up to 50/50 with water. Also on wet paper. It makes beautiful, soft splodges. And don’t use old frisket!
- Shirley’s was looking through a dirty windshield. She is experimenting with Holbein “Iradori” colors and she played with bubbles, which make subtle patterns, in her background. She also replaced a pencil with a paintbrush in a compass to good effect. Her piece was rich and energetic.
- Mary gave us a bird’s eye view of the golden hills of California on a summer day with rich golds and greens.
- Joanie was into clear blue skies and water.
- Sue recolored “The Scream” by Munch to express a personal experience. The colors were rich, which counterbalanced the subject.
Marjorie's Goldsmith piece was suggestive of graffiti and fun on a hot summer day. She shared an early piece in blues and golds where she used bottlecaps dipped in paint to make circles.
Next week we will not meet at Creightons but at the Main library at 12:00 to see the calligraphy collection at the library that Jo has arranged for us. We will be back to Creighton’s in two weeks.
The experiment is #6 - Emphasize Verticals - pages 41 + 43.
Hope to see you at both! Joanie and Shirley
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